When I was younger I was more romantic. I kept wanting to be photographed, I wanted to be photographed, with some nice young lady, of course. As far as I’m concerned, nature is always so fertile that you’d think it had extravagant spending habits – instead of a single lonely couple, it’s as if tens, hundreds of couples were borne at once; this indeed would be more along the lines of the logic of nature.

To use ancient definitions, the appearance of an object is simply projected upon a limited surface and has little to do with what is on the inside. Not to mention that the earth is not flat, mind you. If it were flat, the same shape would exist on the other side, but the backside of a sphere does not have the same shape. In a bumpy world, when an object is fixed by two points and rotated, the stable line is a phenomenon insofar as it is a collection of an infinite number of points that did not move within the object.

1997Acrylic, canvas184×116.8×6cm(Vertical pair)
Collection of the Artist

When I was younger I was more romantic. I kept wanting to be photographed, I wanted to be photographed, with some nice young lady, of course. As far as I’m concerned, nature is always so fertile that you’d think it had extravagant spending habits – instead of a single lonely couple, it’s as if tens, hundreds of couples were borne at once; this indeed would be more along the lines of the logic of nature.

To use ancient definitions, the appearance of an object is simply projected upon a limited surface and has little to do with what is on the inside. Not to mention that the earth is not flat, mind you. If it were flat, the same shape would exist on the other side, but the backside of a sphere does not have the same shape. In a bumpy world, when an object is fixed by two points and rotated, the stable line is a phenomenon insofar as it is a collection of an infinite number of points that did not move within the object.

1997Acrylic, canvas184×116.8×6cm(Vertical pair)
Collection of the Artist