| 2019− |  | Kagakuukan | | | | Projects | [MORE INFO] |
| 2017 | | The Insight of Kenjiro Okazaki
Abstract Art as Impact—How Abstract Art can become Concrete Tools | | | | Projects | [MOVIE]
[MORE INFO] |
| 2015 | | If “ifs” and “buts” were colors and shapes, there’d be no need for museums | | | | Projects | Plotter: Kenjiro Okazaki
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As a part of the exhibition “Whose place is this? An Art Exhibition for Children” at Museum of Contemporary Art Tokyo |
| | T.T.T.Bot (Turning Table Tripod Robot) | | | | Projects | Collection of the Artist 体験者が筆先を触れるだけで、画板が動き、他の画家たちが絵を描いた過程を再体験できるロボット。
過去の巨匠を含め、画家、他者が絵を描いている過程で画家が感じていた運動感覚、身体的な体験、絵を描くコツを、体験者はそのまま直接、いま自分が絵を描いているように（画家が自分にのりうつったように）自分のものとして体験できる。
[MOVIE] 1｜2｜3 |
| 2007 | | D.D.D.Bot (Dancing with Desk Drumming Robot) | | | Collection of the Artist | Projects | 四谷アート・ステュディウム Experiment show（会場：旧四谷第三小学校体育館）にて公開。THE TURKにヒントを得た、ドラミングする机ロボット。
[MOVIE] |
| | Europera 5 | | | | Projects | An opera by John Cage(1991)
Director: Tomomi Adachi
Mask and Costume design: Kenjiro Okazaki
[Reference Text by Artist] |
| | I love my robots | | | | Projects | Dance Piece
Collaboration with the Trisha Brown Dance Company
Production and choreography of the “DekNobo” Robots
Costume design (concept, original sketch)
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World Premier at Alexander Kasser Theater, Montclair State University, NewJersey
January 18, 20 & 21, 2007
[MOVIE]
[MORE INFO] |
| | DekNobo | 30×60×270cm | Wood, cardboard tube, lead, motor | Collection of the Artist | Projects | [MORE INFO] |
| 2004 | | ぽぱーぺぽぴぱっぷ | 21.6×21.6×1cm | | | Projects | おかざきけんじろう：絵、谷川俊太郎：文（クレヨンハウス）
［INTERVIEW］
［MORE INFO］ |
| | Little Lellolello | | | | Projects | Kenjiro Okazaki: picture
Park Kyongmi: text
Juliet Carpenter: translation
Shogakukan Inc. |
| 2004−2014 | | Yotsuya Art Studium | | | | Projects | [MORE INFO] |
| 1997 | | The Mirage City -Another Utopia – | | | | Architecture,
Projects | [MORE INFO] |
| 1996 | | Atopic Site | | | | Projects,
Public Art | Atopic Site: 8/1−8/25
On Camp/Off base: 8/10−8/19
Venue: Tokyo Big Sight West halls (West hall 3+4)
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Curation with Hiroshi Kashiwagi, Akira Tatehata, Sachiko Shikata and Naoyuki Takashima
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都市博には様々な都市問題を扱う芸術展の企画があった。都市博は中止されたが、このコンテンツだけはアトピック・サイト展として開催されることになった。展覧会の仕組みは反展覧会と言えるようなものだった。すべての企画は展覧会の会期と場所をこえて、異なる軸線でそれぞれ非同期的に展開する。会場は広大に様々な方向に拡がるネットワークが通過する端末となるよう計画された。 |
| 1995− | | Art Sphere Haizuka | | | | Projects | ［MORE INFO］ |
| 1994− | | Haizuka Earthworks Projects | | | | Landscape,
Projects | ［MORE INFO］ |
| 1993 | | Standard Discrimination Standards | | | | Projects | Collaboration with Azby Brown.
The concept book for the exhibition “SamazamanaME 50 Standard Discrimination Standards: Azby Brown, Kenjiro Okazaki”, IBM-Kawasaki City Gallery, 1993 |
| 1993-1994 | | Caput Mortuum | | | | Projects | Collaboration work with Azby Brown and Yoshinori Tsuda.
Color copy and offset brochure, 16 color pages, 25 monochromes: A4 paper (29.5 × 21cm) |
| 1993 | | Random Accident Memory | | | | Projects | Computer artwork
Collaborations with Yoshinori Tsuda: works based on Bulbous Plants.
Traveled to Solomon R. Guggenheim Museum, San Francisco Museum of Modern Art and so on.
[Documentary Movie] |
| 1991- | | Bulbous Plants | | | | Projects | Collaboration with Yoshinori Tsuda
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[Related Exhibition]
1991
– Bulbous Plants: Kenjiro Okazaki and Yoshinori Tsuda
– 表現のためのワークショップ
1992
– Bulbous Plants: Kenjiro Okazaki, Yoshinori Tsuda (Reinstalled)
– 公開制作「映像」
1993
– ARTLAB “Open Collaboration” Exhibition: “PSYCHOSCAPE”
– Random Accident Memory
1994
– CAPUT MORTUUM 2
– Japanese Art after 1945: Scream against the sky |
| 1990-1991 | | FRAME | | | | Projects | No.1-3, Co-edited Journal, IDEE PRESS |
| 1988 | | Ludwig Wittgenstein, A Memoir / Trailer | | | | Projects | 8mm film
Total 60min, two set of 30 minutes. |
| 1981 | | 子ども空想美術館 | | | | Projects | Curation with Atelier ZO and Keiji Usami
Period: August 16—September 7
Venue: Seibu Museum |